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Afterlife

Martin and Alex meet at university and - although Martin can never quite work out why - become friends. When they finish their undergraduate studies, and with the summer ahead of them before they have to think about the future, they and their respective girlfriends - Susie and Jane - rent a house in the middle of nowhere. While Jane writes and Susie finds a job at the local art college, the two boys spend their days doing little other than sleeping, drinking, smoking and trying to keep cool in scorching temperatures. As the heat builds, however so does the tension between the four; then, when a glamorous, hedonistic American student arrives in their midst, events and emotions escalate still further. A novel about power, rivalry, jealousy and - in the end - murder, "Afterlife" is a gripping exploration of how some outcomes are decided long before we're even aware of the options.

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Peace

The first publication in Atlantic Books' exciting new Tuskar Rock imprint, Peace is a powerful novel about war, trust and salvation that begs to be read in a single sitting. Italy, near Cassino. The terrible winter of 1944. Dismal icy rain falls, unabated, for days. Three American soldiers set out on the gruelling ascent of a perilous Italian mountainside in the murky closing days of the Second World War. Haunted by their sergeant's cold-blooded murder of a young girl, and with only an old man of uncertain loyalties as their guide, they truge on in a state of barely suppressed terror and confusion. With snipers lying in wait for them, the men are confronted by agonizing moral choices...Taut and propulsive - Peace is a feat of economy, compression, and imagination, a tough and unmistakably contemporary meditation on the corrosiveness of violence, the human cost of war, and the redemptive power of mercy.

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Inherent Vice

This title is describes as part noir, part psychedelic romp, all Thomas Pynchon. Private eye Doc Sportello comes, occasionally, out of a marijuana haze to watch the end of an era as free love slips away and paranoia creeps in with the L.A. fog. It's been awhile since Doc Sportello has seen his ex-girlfriend. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It is easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that 'love' is another of those words going around at the moment, like 'trip' or 'groovy', except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dentists. In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there...or...if you were there, then you...or, wait, is it.

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Muriel Spark: The Biography

Born in 1918 into a working-class Edinburgh family, Muriel Spark ended as the epitome of literary chic, one of the great writers of the twentieth century. It is a Cinderella story, the first thirty-nine years of which she presented in her autobiography, CURRICULUM VITAE (1992), politely blurring the intensity of her darker moments: her relations with her brother, mother, son, husband; a terrifying period of hallucinations and subsequent depression; and the disastrously misplaced love she had felt for two men she had wanted to marry, Howard Sergeant and Derek Stanford. Aged nineteen, Spark left Scotland to marry in Southern Rhodesia, escaping back to Britain on a troopship in 1944 after her divorce. Her son returned in 1945 to be brought up by her parents in Edinburgh while she established herself as a poet and critic in London. After becoming a Roman Catholic in 1954, she began a novel, THE COMFORTERS (1957), and with MEMENTO MORI, THE BALLAD OF PECKAM RYE and THE BACHELORS rose rapidly into the literary stratosphere. THE PRIME OF MISS JEAN BRODIE (1961), with its adaptation into a successful stage-play and film, marked her full translation into international celebrity and from that point she went to live first in New York, then Rome, and finally Tuscany where for over thirty years, until her death in 2006, she shared a house with her companion, the artist Penelope Jardine. In 1992 Spark invited Martin Stannard to write her biography, offering interviews and full access to her papers. The result is a compelling portrait of an extraordinary life.

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The Case for God: What Religion Really Means

The enormous popularity of books by Richard Dawkins, Christopher Hitchens, Sam Harris and others shows that despite the religious revival that is under way in many parts of the world, there is widespread confusion about the nature of religious truth. For the first time in history, a significantly large number of people want nothing to do with God. In the past people went to great lengths to experience a sacred reality that they called God, Brahman, Nirvana or Dao; indeed religion could be said to be the distinguishing characteristic of homo sapiens. But now militant atheists preach a gospel of godlessness with the zeal of Christian missionaries in the age of faith and find an eager audience. What has happened? Karen Armstrong argues that historically atheism has rarely been a denial of the sacred itself but has nearly always rejected a particular conception of God. During the modern period, the Christians of the West developed a theology that was radically different from that of the pre-modern age. Tracing the history of faith from the Palaeolithic Age to the present, Armstrong shows that until recently there was no warfare between science and religion. But science has changed the conversation. The meaning of words such as belief, faith, and mystery has been entirely altered, so that atheists and theists alike now think and speak about God - and, indeed, reason itself - in a way that our ancestors would have found astonishing. Why has the modern God become incredible? Has God a future in this age of aggressive scientific rationalism? Karen Armstrong suggests that if we draw creatively on the insights of the past, we can build a faith that speaks to the needs of our troubled and dangerously polarized world.

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My Father's Tears and Other Stories

A beautiful, moving collection of short stories, in many of which Updike revisits the haunts of his childhood from the vantage point of old age. In 'Fiftieth' old friends reconnect at a class reunion, and one of them is left wondering, 'What does it mean: the enormity of having been children and now being old, living next to death.' In the story 'The Full Glass' the protagonist describes somewhat ruefully the rituals of old age. Before going to bed, he raises his nightly water glass 'drinking a toast to the visible world, his impending disappearance from it be damned.' In 'Varieties of Religious Experiences' a grandfather, visiting his daughter in Brooklyn Heights, watches the tower of the World Trade Centre fall, and his view of a God is forever altered. Again and again in these memorable stories, Updike strikes to the heart, giving words to what is so often left unsaid. He is at once witty, devastatingly observant, touching – and, of course, a consummate storyteller. This is a collection that will be admired and cherished.

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Between the Assassinations

The dazzling new book from the winner of the 2008 Man Booker Prize: one of the summer's most eagerly anticipated works of fiction. In Between the Assassinations, Aravind Adiga brings to life a chorus of distinctive Indian voices, all inhabitants in the fictional town of Kittur...His new book sizzles with the same humor, anger, and humanity that characterized The White Tiger. On India's south-western coast, between Goa and Calicut, lies Kittur - a small, nondescript every town. Aravind Adiga acts as our guide to the town, mapping overlapping lives of Kittur's residents. Here, an illiterate Muslim boy working at the train station finds himself tempted by an Islamic terrorist; a bookseller is arrested for selling a copy of The Satanic Verses; a rich, spoiled, half-caste student decides to explode a bomb in school; a sexologist has to find a cure for a young boy who may have AIDS. What emerges is the moral biography of an Indian town and a group portrait of ordinary Indians in a time of extraordinary transformation, over the seven-year period between the assassinations of Prime Minister Gandhi and her son Rajiv. Keenly observed and finely detailed, Between the Assassinations is a triumph of voice and imagination.